Verhoeven's Robocop on DVD - Criterion Collection

starring Peter Weller at Discount

 

The Criterion Collection on DVD Here

Superior movies on superior DVDs--that's what you get with every title in the prestigious Criterion Collection. Having established its reputation on laserdisc, this eclectic selection of reputable films has now been unveiled on DVD.

 

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When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humor and satire aimed at the men and media who cover a city out of control. The Criterion Collection's Director's Cut DVD restores ultraviolent footage that was originally cut to avoid an X rating. Also included are audio commentaries by Verhoeven, Neumeier, producer Jon Davison, and RoboCop aficionado Paul M. Sammon; a film-to-storyboard comparison and storyboard gallery; an illustrated essay on the making of the film; and theatrical trailers and teasers.

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Oxford

 

 

 

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